Thursday, August 21, 2014

Who is this Douglass anyway?

Today, my Facebook feed is awash in cryptic posts. Someone named Douglass is either nowhere to be found, or in trouble with the FBI, or has had his name adopted by a number of my friends.


Just to reassure you, if you know someone named Douglass, he is fine. In fact, this particular guy doesn't even exist. Douglass is the title character in a movie entitled I Am Douglass. It is in the development phase, which means we are trying to come up with the means to make it. Those means include money, actors, and distribution.

As it turns out, a career full of creating commercials, advertising, and sports television in Texas doesn't necessarily introduce one to the types of folks who make films happen. As a matter of fact, those sorts of folks tend to be rather skittish about fresh faces. They may well be friendly people, but the world contains a lot more movie ideas than it does commercially viable movie ideas, and that makes such persons understandably reluctant to devote valuable time or resources to an initiative without a track record.

Of course, that doesn't stop my partners and me from wanting to make the movie. It does mean we would need to think creatively to try to make the right connections. We would need a BtoB marketing plan.

Our initial efforts involved networking, as any BtoB plan does. We gained a lot of knowledge, but hadn't been able to network our way to the types of connections we needed. So we decided to focus on the movie's brand. We saw four elements as vital to influencing our target audience : script quality, social media viability, topicality, and our businesslike outlook. If we could demonstrate mastery of those factors, we felt influencers would see our project as either capable of commercial success or worthy of becoming a passion project for them (hopefully both).

Our rollout strategy consisted mostly of social media. Social's capital costs of zero fit our low budget (although the plan includes some limited expenditures to push a handful of posts). But it fit our goals, too. The film's plot involves two men attempting to flee to a place where they can safely reveal explosive information about government surveillance overreach. The topic of surveillance certainly gets plenty of viral play worldwide, so our hope was to latch onto some of that. Both the issue and the internet transcend national boundaries, enlarging our potential audience. If you're trying to show an audience exists for an entertainment product, showing an actual large audience helps make your point.

So a social strategy could help us demonstrate topicality and social media viability (the plot contains social media elements, so that will be an important element of the final marketing mix once we have made the film). The quick-hitting nature of social posts also served our goal of demonstrating our script had quality content. We could post individual lines and plot elements to show its depth and entertaining qualities without spoiling the story.


We felt like the simple act of having a marketing plan at this stage of development would help establish some business credibility. We could also give people the opportunity to review our credentials. Those don't include blockbuster feature films, but they do include quality shorts and work for noteworthy entities like Major League Baseball teams.

We took some other steps to help ourselves look business-minded. We used trade inventory in a local weekly newspaper to promote our website (which we made to appear as if a fan of the title character had created). We created an Indiegogo crowdfunding campaign targeted at pre-production, figuring we would both monetize any social buzz we created and show investors we were committed to raising money any way we could. We also started a Zazzle store selling a number of I Am Douglass items. We created videos promoting the crowdfunding initiative. We hope some of them are funny. While funds generated by crowdfunding and the store will be beneficial, those outlets, like the Twitters and Google+s, are more about providing additional ways for interested parties to interact with the brand.

We'll populate our various social media sites with content about the movie and the issue. Eventually, we hope to see the #iamdouglass hashtag show up in surveillance discussions. Once we get some critical mass of attention, we'll try to merchandise it into earned media. Media outlets that cover or comment on the surveillance issue might find our effort newsworthy.

It all adds up to a formula we hope will entice actors or investors to make inquiries about our project. They may feel strongly about the surveillance issue and believe this provides a way to stoke further discussion about it. A number of actors, like John Cusack and Janine Turner, have expressed their opinions publicly. Others, like Penn Jillette or Drew Carey, espouse worldviews that question governmental intrusiveness. We even speculate that tech companies who have lost overseas business due to NSA policies might consider backing the project as a content marketing play. 

We also hope we'll have established the proposition as a commercially viable one. The concept has appeal for several niche audiences, and the broader issue seems unlikely to disappear soon. If successful, our marketing campaign will demonstrate that the film has staying power, too.

Those cryptic posts referenced in the opening paragraph? They're how we launched the social campaign. We asked friends and friends of friends to post these cryptic messages with our hashtag #iamdouglass. We confused more than a few folks, and hopefully will have created interest for when we reveal tomorrow what it was all about. We took the same approach with our website, creating a fake front page that makes you wonder, just for a minute at least, what the heck is going on. Our pitch video, too, tended toward the conspiratorial.

Will our campaign work? We start finding out tomorrow.




Rush Olson has spent two decades making movie-like creative products for companies, sports teams, broadcasters. He currently creates ad campaigns and related creative projects through his company, Rush Olson Creative & Sports.

RushOlson.com
Linkedin.com/company/rush-olson-creative-&-sports

Facebook.com/RushOlsonCreativeandSports

No comments:

Post a Comment